The Italian photographer, whose works employ blurring techniques and challenge popular perspectives are on display at the ongoing exhibition ‘The Soul’s Habitats’
Some of the greatest art in the world was created from pure talent; not because of the tools. Such is also the case with Margherita Verdi, who believes that expression of art is more important than the medium through which it is portrayed.
On the occasion of the 20th Edition of the Italian Contemporary Art Day, Art Concept Gallery, under the aegis of the Embassy of Italy in Bahrain, is holding a solo exhibition ‘The Soul’s Habitats’ by Italian photographer Margherita Verdi. Inaugurated by the Ambassador of Italy, H.E. Andrea Catalano, the exhibition opened to a warm reception on October 12 and is on till November 2.
Credit: Jijo Shaji, Life N Style
An intimate project
‘The Soul’s Habitats’ was born out of a labour of several years, says Margherita, whose projects generally take five to six years. “My projects have a long gestation period; it’s my baby,” says the artist with a smile.
Talking about her journey of photography, the Italian photographer reveals her passion for experiencing diverse cultures. “Usually, I don’t do realistic photography. When I visit different places and cultures, I tend to get lost in them. That’s how I decided to start taking pictures.”
The photographer’s collection for the exhibition portray architectural elements of varied religious structures from places across Europe – an Orthodox Church in Belgrade, a synagogue in Florence, Italy; the Blue Mosque in Istanbul, Turkiye; and many more. But what’s striking is the perspective. Margherita employs blurring techniques to her images, lending an element of instability and uncertainty. The out of focus shots impart a sense of temporariness, reminding the viewer of the fragility of life, and the frequency of a higher power – emphasized through upward shots, guiding the eyes to the top of the building, towards the source of light. Her photography defies the logic of technical perfection, driving the viewer’s attention towards movement which brings alive the image from within.
When asked why she chose to photograph in religious sites, the artist shares the feeling that overcomes her when she is there. “I’m interested in this kind of atmosphere – of peace and calm. All religious places are the same and have a peaceful aura, and are places of energy.”
Expression over medium
For every photographer, their camera is perhaps their most valued possession. That is where Margherita marches to the beat of her own drum. Unlike conventional photographers, this Italian shutterbug surprises with her choice of instrument – not an advanced camera with sophisticated lenses; but a basic analogue plastic toy camera. “For my art, I prefer to use my camera in a creative way and transform the photos in the dark room to tell a story. The camera is not important. I can use any camera – from a DSLR to a mobile phone – but what matters is what I want to express creatively,” says Margherita.
Her attitude towards cameras reinforces the true nature of art and its immortality. Conversing about the advancement in technology and the invasion of Artificial Intelligence, Margherita sounds confident as she envisions a secure outlook for the future of art. “The medium is irrelevant; the idea is what matters,” she emphasizes.
Visiting Bahrain for the first time, she is fascinated by the cultural differences. Regarding the audience’s expectations, she says, “I don’t know; I am curious. My art is open to interpretation. Each person is free to read what they want. I have exhibited in Europe and received certain responses and I am sure people here think differently. So, I am looking forward.”
‘The Soul’s Habitats’ is on till November 2, 2024
Location: Art Concept Gallery, Andalus Garden, Manama, Bahrain
Timings: 7 PM – 9 PM
